Isn't happiness or to be happy a choice? Just like choosing your favourite flavour of coffee :)
Wednesday, February 29, 2012
Tuesday, February 28, 2012
Head vs Heart
Been trying to find the middle ground between rationality vs intuition, head vs heart and reason vs belief for a while now. Think I have it figured for now. For now. I've realised behind every rational thought or action is an emotional driver. Emotional drivers are commitment, independence, satisfaction,security, love, belonging, status, power, exalted sense of self, feeling of accomplishment, feeling of certainty.
You choose the job you choose to make the money you make for bills you pay for? Sense of accomplishment, achievement, provision of a good life to your loved ones, sense of independence et al. You choose a rational action basis the emotional payoff for it. For now am done looking.
You choose the job you choose to make the money you make for bills you pay for? Sense of accomplishment, achievement, provision of a good life to your loved ones, sense of independence et al. You choose a rational action basis the emotional payoff for it. For now am done looking.
Wednesday, February 1, 2012
Am in love...
…In
love with the movie - English Patient. The movie is full of small, well thought
out details, easy to miss but difficult not to appreciate. There is a scene
when Katherine Clifton’s husband is waiting outside the place where he
discovers she has gone to meet her lover, Almasy. You see him fiddling with a
paper in his hand, he tears off a part of it and unrolls a chain of hearts torn
out from inside the paper. Small moment - ironic and apt.
Some quotes I love from the movie:
Madox: I have to teach myself not to read
too much into everything. It comes from too long having to read so much into
hardly anything at all.
Almásy: What do you love most?
Katharine Clifton: Water. Fish in it. Hedgehogs, I love hedgehogs. Marmite. Baths, but not with other people! Islands. I could go on all day.
Almásy: Go on all day.
Katharine Clifton: Your handwriting. My husband.
Almásy: And what do you hate most?
Katharine Clifton: A lie. And you?
Almásy: Ownership. When you leave, forget me.
Katharine Clifton: Water. Fish in it. Hedgehogs, I love hedgehogs. Marmite. Baths, but not with other people! Islands. I could go on all day.
Almásy: Go on all day.
Katharine Clifton: Your handwriting. My husband.
Almásy: And what do you hate most?
Katharine Clifton: A lie. And you?
Almásy: Ownership. When you leave, forget me.
Almásy: I once traveled with a guide who was
taking me to Faya. He didn't speak for nine hours. At the end of it he pointed
to the horizon and said, "Faya!" That was a good day.
Almásy: I once heard of a captain who wore a
patch over a good eye. The men fought harder for him.
Katharine Clifton: You speak so many bloody languages, and you never want to talk.
Hana: There's a man downstairs. He brought us eggs. He might stay.
Almásy: Why? Can he lay eggs?
Hana: He's Canadian.
Almásy: Why are people so happy when they collide with someone from the same place? What happened in Montreal when you passed a man in the street? Did you invite him to live with you?
Almásy: Why? Can he lay eggs?
Hana: He's Canadian.
Almásy: Why are people so happy when they collide with someone from the same place? What happened in Montreal when you passed a man in the street? Did you invite him to live with you?
Katharine Clifton: Will we be alright?
Almásy: Yes. Yes, absolutly.
Katharine Clifton: "Yes" is a comfort. "Absolutely" is not.
Almásy: Yes. Yes, absolutly.
Katharine Clifton: "Yes" is a comfort. "Absolutely" is not.
Katharine Clifton: My darling. I'm waiting for you. How
long is the day in the dark? Or a week? The fire is gone. And I'm cold,
horribly cold. I really want to drag myself outside but then there'd be the
sun. I'm afraid I'll waste the light on the paintings, not writing these words.
We die. We die, we die rich with lovers and tribes, tastes we have swallowed,
bodies we have... entered and swum up like rivers. Fears we have hidden in -
like this wretched cave. I want all this marked on my body. Where the real
country is. Not boundaries drawn on maps, names of powerful men. I know you'll
come carry me out to the Palace of Winds. That's what I've wanted: to walk in
such a place with you. With friends and an earth without maps. The lamp has gone
out and I'm writing in the darkness.
Hana: Then I tell myself he spends all day
searching, in the night he wants to be found.
Thursday, January 19, 2012
John Steinbeck's letter to his son
My best friend passed this on to me and just posting it here, so I can keep coming back to it to access it quickly, and so can anyone else.
----------------------------------------------------------------------------------
----------------------------------------------------------------------------------
Nobel laureate John Steinbeck (1902-1968)
might be best-known as the author of East of Eden, The Grapes of Wrath, and Of
Mice and Men, but he was also a prolific letter-writer. Steinbeck: A Life in
Letters constructs an alternative biography of the iconic author through some
850 of his most thoughtful, witty, honest, opinionated, vulnerable, and
revealing letters to family, friends, his editor, and a circle of equally
well-known and influential public figures.
Among his correspondence is this beautiful response
to his eldest son Thom's 1958 letter, in which the teenage boy confesses to
have fallen desperately in love with a girl named Susan while at boarding
school. Steinbeck's words of wisdom—tender, optimistic, timeless, infinitely
sagacious—should be etched onto the heart and mind of every living, breathing
human being.
New York
November 10, 1958
Dear Thom:
We had your letter this morning. I will
answer it from my point of view and of course Elaine will from hers.
First -- if you are in love -- that's a
good thing -- that's about the best thing that can happen to anyone. Don't let
anyone make it small or light to you.
Second -- There are several kinds of love.
One is a selfish, mean, grasping, egotistical thing which uses love for
self-importance. This is the ugly and crippling kind. The other is an
outpouring of everything good in you -- of kindness and consideration and
respect -- not only the social respect of manners but the greater respect which
is recognition of another person as unique and valuable. The first kind can
make you sick and small and weak but the second can release in you strength,
and courage and goodness and even wisdom you didn't know you had.
You say this is not puppy love. If you feel
so deeply -- of course it isn't puppy love.
But I don't think you were asking me what
you feel. You know better than anyone. What you wanted me to help you with is
what to do about it -- and that I can tell you.
Glory in it for one thing and be very glad
and grateful for it.
The object of love is the best and most
beautiful. Try to live up to it.
If you love someone -- there is no possible
harm in saying so -- only you must remember that some people are very shy and
sometimes the saying must take that shyness into consideration.
Girls have a way of knowing or feeling what
you feel, but they usually like to hear it also.
It sometimes happens that what you feel is
not returned for one reason or another -- but that does not make your feeling
less valuable and good.
Lastly, I know your feeling because I have
it and I'm glad you have it.
We will be glad to meet Susan. She will be
very welcome. But Elaine will make all such arrangements because that is her
province and she will be very glad to. She knows about love too and maybe she
can give you more help than I can.
And don't worry about losing. If it is
right, it happens -- The main thing is not to hurry. Nothing good gets away.
Love,
Father
Tuesday, January 17, 2012
Saturday, January 7, 2012
Come let's
Come let’s find paths that lead to nowhere,
Crunch our way through dried leaves of ochre.
Come let’s get drenched in the rains,
Traipse and slosh in muddy puddles, soiling our boots.
Come let’s talk about the nothings- in -particular,
And set aside the told-you-so's, what-ifs and never-evers.
Come let’s just be…
Let’s be ourselves a little longer than we need to.
Crunch our way through dried leaves of ochre.
Come let’s get drenched in the rains,
Traipse and slosh in muddy puddles, soiling our boots.
Come let’s talk about the nothings- in -particular,
And set aside the told-you-so's, what-ifs and never-evers.
Come let’s just be…
Let’s be ourselves a little longer than we need to.
Wednesday, January 4, 2012
Just another evening
It is just another evening
There is a slight shiver in the breeze
Just a dusting of goosebumps worth
Bright green, gold and red lights embellish the air
Squint your eyes and blur the outer edges
For an instant surreal Dali painting
A sliver of muted light shines on the tarred pavement
My shoes have stopped me at the line of light
I see a cat slinking around the corner
As if swallowed whole by the universe
Maybe if I stood long enough
The streetlight would beam me up too
The sharp aroma of Chinese cooking
Hot, greasy and soul nourishing
Wafts through the cool wind
These evenings, the world stops spinning for a while
Like a still photograph with background music
And in a while, the line of light on the pavement moves
There is a slight shiver in the breeze
Just a dusting of goosebumps worth
Bright green, gold and red lights embellish the air
Squint your eyes and blur the outer edges
For an instant surreal Dali painting
A sliver of muted light shines on the tarred pavement
My shoes have stopped me at the line of light
I see a cat slinking around the corner
As if swallowed whole by the universe
Maybe if I stood long enough
The streetlight would beam me up too
The sharp aroma of Chinese cooking
Hot, greasy and soul nourishing
Wafts through the cool wind
These evenings, the world stops spinning for a while
Like a still photograph with background music
And in a while, the line of light on the pavement moves
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